| We face the fact that much of contemporary art, and more specifically contemporary theatre and performance is not regarded as part of the public discourse within European and local cultures. On the one hand, the audience often has preconceptions about the elitist character of contemporary theatre and is afraid of "not understanding anything". On the other hand, there is a paucity of language to engage with and communicate a contemporary theatre practice to a wider audience because journalists and theatre critics do not have the tools and are frequently unable to follow and adapt to the fast development of new theatre forms. This project proposes that given the theatre is a communicative art form it contains the possibilities to re-enforce a dialogue between artists, programmers and audiences in response to contemporary artistic expression and the complex world in which we live. The objectives of this initiative are: • to promote the creation of contemporary performance with a special focus on the communicative aspect of theatre • to search for the tools to re-enforce a bridge of understanding and dialogue between artists and audiences • to encourage a wider discussion on contemporary performing arts and their discursive potential, creating a space for critical reflection from the audience • to develop a new generation of skilled journalists and theatre critics who can engage with the language of contemporary performance and are internationally competent • to activate the involvement of local and national media in reflecting performing arts and reinstalling contemporary art in the public discourse. The festivals of the FIT network: SPIELART Munich, Germany Crakow Theatre Reminiscences, Poland Baltic Circle, Helsinki, Finland LIFT, London, Great Britain Baltoscandal, Rakvere, Estonia Homo Alibi and Homo Novus, Riga, Latvia Divadelna Nitra, Slovakia 4+4 Days in Motion, Prague, Czech Republic Sirenos, Vilnius, Lithuania Exodos, Ljubljana, Slovenia |